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Image by author - UK Ghost Hunt event
at the Galleries of Justice, Nottingham

Ghost Hunting as a Contemporary Folk Tradition: Blog 3: Ghost Hunting Today

22/4/2024

1 Comment

 
I recently searched Google for ‘most haunted places in Britain’ and the results were telling: the top hit was Parkdean Resorts, offering a list of 10 most haunted places and ghost hunting days out. (29) It’s clear that now, ghost hunting is a pastime for many people in the UK. In fact, statistics from YouGov (2018) report that ‘1% of the UK population… say that they communicate with ghosts or take part in paranormal investigations’. (30) Mark A. Eaton suggests that ghost hunting may be a modern-day ‘quest for authentic spiritual experiences’, a symptom of the decline in confidence in organised religion. (31) Indeed, The Guardian newspaper reports that ‘Religion is even less likely to provide comfort and answers now – in the latest British census, less than half were expected to say they were Christian, (32) a fall from 71.6% 20 years ago.’ (33)

Ghost hunting for fun is a big departure from the hoax versus real debate in the newspapers from the 1970s surrounding the Enfield poltergeist case and a step through the screen into our own Most Haunted fantasies. Far from the SPR’s ‘scholarly research’ (34) goals, a ghost hunt in the UK today is a night out, a hobby and a social gathering. A presenter ghost hunter I interviewed told me that he got into ghost hunting after a suicide attempt, ‘one doctor just said, kind of bluntly, you need to get out the house more’. (35) Certainly my experience of a ghost hunt in Nottingham involved a kind and supportive community of people and fits perfectly with Hobsbawm’s description of an ‘invented tradition’:
...a set of practices, normally governed by overtly or tacitly accepted rules and of a ritual or symbolic nature, which seek to inculcate certain values and norms of behaviour by repetition, which automatically implies continuity with the past. (36)
On my UK Ghost Hunts experience, the tradition and practices are followed thus:
  • Overtly or tacitly accepted rules: Do not pretend to be a ghost by triggering equipment on purpose. Do not challenge the beliefs of others. 
  • Ritual or symbolic nature of the rules: Holding events at night and in darkness (or torchlight) to exist in a liminal space outside of regular waking times. Using words like ‘spirit’ as a name for a personified movement or sound.
  • Values and behaviours inculcated by repetition: Most people attending were either believers or simply curious about the experience, all legend-tripping as Kinsella suggests:
A legend-trip involves a journey to a specific location and/or the performance of certain prescribed actions that, according to local legend, have the potential to elicit a supernatural experience… [with the] belief that the legend could be more than just a fictional story. (37)
  • Implied continuity with the past: Building on the practices of the ghost hunters of the mid to late 20th century. Repeating stories (legend texts) of specific people and events which may continue to resonate in the chosen venue. The venues are often associated with death and/or punishment/abuse. Options on the UKGE site, for example, include disused hospitals, asylums, a barracks and the Galleries of Justice where many were jailed and executed. There is an element of dark tourism; a curiosity about death and the desire for entertainment and scares.

The terminology used in the ghost hunt was notable. ‘Vigil’ was used to describe sitting in the dark and watching and waiting which has spiritual or religious overtones. It could have been a ‘session’, a ‘gathering’, an ‘observation’ or anything else. Likewise ‘spirit’ is used in connection to the ghosts that are being hunted and is suggestive of afterlife. Although the ghost hunt asks the participant to make their own assumptions around what is occurring, we are led via the terminology of positive assumption. A hypnotist friend who attended the ghost hunt with me drew my attention to the verbal ‘framing’ by our hosts. (38) In pointing out when sounds or movements weren’t spirits, they actually implied that other occurrences were spirits. Trubshaw is in accord, noting that ‘Vocal emphasis and numerous ‘framing techniques’ in the narrative style are employed (more-or-less self-consciously) by the teller to enliven the narrative’. (39)

We cannot yet discover solid evidence that ghosts are or are not spirits of the dead, so to have a ghost hunting experience and allow our confirmation bias is gratifying. Linda Degh suggests a possible reason for the lure of the supernatural in contemporary culture: 
While their lives become technologically and scientifically more efficient, people turn to the unresolvable mysteries of life and death, and they crave more religious miracles and supernatural verifications than ever before. (40)
Self-described sceptic Hayley Stevens also noted that ‘...people who participate in Ghost hunting like this are more primed to find meaning in randomness…’ (41)

I was born in 1979 and when I read about ghost hunting, I asked a friend if I could stay in her haunted pub and if we could use a ouija board and recording equipment to look for ghosts. I didn’t have access to the internet until years later. Stevens says that the online connection initially helped potential ghost hunters to find one another, but ‘If you tried to [do a private ghost hunt] now, you probably wouldn't be able to. A lot of places require you to have public liability insurance, quite rightly.’ (42)

A timeline of a growing contemporary ghost hunting tradition 
The recognisable methodology of ghost hunting appeared in the mid 1900s and was later popularised in the UK by the Enfield poltergeist case of the 1970s. The case was broad-reaching via newspapers and on television and analysed in a hoax/real dichotomy. In the 1990s, the Ghostwatch accidental hoax in popular culture galvanised a nation in their fear and excitement around ghosts in a time when TV was sparse in its channels and 11 million viewers saw the same show in real time. In the early 2000s we got to see the ‘real’ version of this event on Living TV’s Most Haunted and experience the methodology through the presenter and her team. Now, we get to partake in ghost hunting ourselves for the price of a ticket.
Picture
Image taken at my participant observation in Nottingham (with faces obscured for anonymity) and posted on the UKGE Facebook group after the event.

​​In taking part in a legend-trip with no possible conclusion apart from those we draw ourselves, we are satisfying our need for fun, connection and acknowledgement of death. With our disappearing faith, we have invented a growing folk tradition of ghost hunting that involves ritual, belief, science and community to celebrate our lives.

(29) 10 Most Haunted Places in England | Ghost Hunting Days Out Accessed 29th February 2024
(30) 
https://yougov.co.uk/society/articles/21446-who-are-people-communicate-spirits Accessed 14th March 2024. This is public data.
(31) Eaton, Marc A. “‘Give Us a Sign of Your Presence’: Paranormal Investigation as a Spiritual Practice.” Sociology of Religion 76, no. 4 (2015): 389–412. P 390
http://www.jstor.org/stable/24580020 
(32) 
Sherwood, Harriet. “Less than half of Britons expected to tick ‘Christian’ in UK census“. The Guardian. Accessed 23rd April 2024 https://www.theguardian.com/uk-news/2021/mar/20/less-that-half-of-britons-expected-to-tick-christian-in-uk-census 
(33) 
Saner, Emine. “Spooky Britain: how ghosts became a national obsession”. The Guardian. 2022. Accessed 23rd April 2024 https://www.theguardian.com/lifeandstyle/2022/apr/06/spooky-britain-how-ghosts-became-a-national-obsession
(34) Society for Psychical Research. Accessed 2nd April 2024 https://www.spr.ac.uk/ 
(35) Appendix 2.
(36) Hobsbawm, Eric, and Terence Ranger, eds. The Invention of Tradition. of Canto Classics. Cambridge: Cambridge University Press, 2012. p 1
(37) Kinsella, Michael. Legend-Tripping Online: Supernatural Folklore and the Search for Ong's Hat, University Press of Mississippi, 2011.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/herts/detail.action?docID=746925 Created from Herts on 2024-04-17.
(38) Appendix 3.
(39) Trubshaw, Rob. Contemporary Folklore. House of Albion. 2002. p 76
(40) Degh, Linda. 1991. “What Is the Legend After All?”. Contemporary Legend 1 (December):11-38.
https://scholarworks.iu.edu/journals/index.php/cl/article/view/33555 p 28
(41) 
Stevens, Hayley. “The Worst Ghosts of 2003”. Hayley is a Ghost. Accessed 7th March 2024 https://hayleyisaghost.co.uk/the-worst-ghosts-of-2023/
(42) Appendix 1.

Bibliography

Journals:
  • Alexander, John. “Pitfalls Facing Psychic Investigator”. Cambridge Evening News. 31st March 1978. p 18 https://www.britishnewspaperarchive.co.uk/viewer/bl/0003740/19780331/018/0018 ​
  • Barnett, David. “Ghostwatch: The 1992 paranormal investigation that just had to be true, because it was on the BBC“ Independent. 30th October 2017. https://www.independent.co.uk/news/long_reads/halloween-ghostwatch-bbc-1992-supernatural-ghosts-michael-parkinson-a8021341.html ​​
  • Burns, Tom. "Folklore in the Mass Media: Television." Folklore Forum 2 (4):90-106. 1969.
  • Degh, Linda. 1991. “What Is the Legend After All?”. Contemporary Legend 1 (December):11-38. https://scholarworks.iu.edu/journals/index.php/cl/article/view/33555. 
  • Delaney, Zoe. “BBC show Ghostwatch left viewers so terrified that it has never been aired again” The Mirror. 31st October 2023. Accessed 15th March https://www.mirror.co.uk/tv/tv-news/bbc-show-ghostwatch-left-viewers-31315985
  • “Ghost show cleared of deception” BBC News. 5th December 2005. Accessed 24th April 2024. http://news.bbc.co.uk/1/hi/entertainment/4500322.stm 
  • Koven, Mikel J. “Most Haunted and the Convergence of Traditional Belief and Popular Television”. Folklore, Vol. 118, No. 2 (2007), p 184 https://www.jstor.org/stable/30035420 
  • Saner, Emine. “Spooky Britain: how ghosts became a national obsession”. The Guardian. 2022. Accessed 23rd April 2024 https://www.theguardian.com/lifeandstyle/2022/apr/06/spooky-britain-how-ghosts-became-a-national-obsession
  • Sherwood, Harriet. “Less than half of Britons expected to tick ‘Christian’ in UK census“. The Guardian. 2022. Accessed 23rd April 2024 https://www.theguardian.com/uk-news/2021/mar/20/less-that-half-of-britons-expected-to-tick-christian-in-uk-census 
  • Trubshaw, Bob. “The metaphors and rituals of place and time-an introduction to liminality.” Mercian Mysteries 22 (1995). Accessed 24th April 2024 
  • Wilkinson, Damon. Grimsditch, Lee. White, Steven. “The TV show so terrifying it left children with PTSD and has never been allowed to air again in 30 years”. Manchester Evening News. 21st October 2023. Accessed 18th April 2024 https://www.manchestereveningnews.co.uk/news/nostalgia/terrifying-ghostwatch-left-children-ptsd-27937687 

Books:
  • Eaton, Marc A. “‘Give Us a Sign of Your Presence’: Paranormal Investigation as a Spiritual Practice.” Sociology of Religion 76, no. 4 (2015): 389–412.  http://www.jstor.org/stable/24580020 
  • Hobsbawm, Eric, and Terence Ranger, eds. The Invention of Tradition. of Canto Classics. Cambridge: Cambridge University Press, 2012. p 1
  • Kinsella, Michael. Legend-Tripping Online : Supernatural Folklore and the Search for Ong's Hat, University Press of Mississippi, 2011. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/herts/detail.action?docID=746925 Created from Herts on 2024-04-17.
  • Playfair, Guy Lyon. This House Is Haunted: Investigation of the Enfield Poltergeist. London, England: Souvenir Press. 1980. 
  • Storr, Will. Will Storr versus the Supernatural: One Man’s Search for the Truth about Ghosts. London: Ebury Press. 2006 
  • Thompson, Stith. Motif-Index of Folk-Literature; a Classification of Narrative Elements in Folktales, Ballads, Myths, Fables, Mediaeval Romances, Exempla, Fabliaux, Jest-Books, and Local Legends. Bloomington :Indiana University Press, 1955-58.
  • Trubshaw, Rob. Contemporary Folklore. House of Albion. 2002.
  • Vasa, Gustavus. The Animated Skeleton. Printed at the Minerva-Press, for William Lane. 1798. https://data.historicaltexts.jisc.ac.uk/view?pubId=ecco-0128200101&terms=%22ghost%20hunter%22&sort=date%2Basc 

Online Source
  • Atwal, Sanj. “Ancient tablet with world’s oldest ghost drawing explained by man who deciphered it”. Guinness World Records. 2023. Accessed 9th April 2024 https://www.guinnessworldrecords.com/news/2023/10/ancient-tablet-with-worlds-oldest-ghost-drawing-explained-by-man-who-deciphered-760305 
  • Gershon, Livia. “3,500-Year-Old Babylonian Tablet May Contain Earliest Known Depiction of a Ghost“ Smithsonian Mag. 2021. Accessed 24th April 2024 https://www.smithsonianmag.com/smart-news/3500-year-old-babylonian-tablet-may-hold-earliest-known-ghost-image-180978923/ Creative Commons.
  • Hogg, James. “The Enfield Poltergeist”. BBC. 1977. Accessed 19th April 2024 https://www.bbc.co.uk/archive/the-enfield-poltergeist-1977/z6xnrmn 
  • Stevens, Hayley. “The Worst Ghosts of 2003”. Hayley is a Ghost. Accessed 7th March 2024 https://hayleyisaghost.co.uk/the-worst-ghosts-of-2023/ 
  • Society for Psychical Research. Accessed 2nd April 2024 https://www.spr.ac.uk/ 
  • https://yougov.co.uk/society/articles/21446-who-are-people-communicate-spirits Accessed 14th March 2024. This is public data.
  • Willin, Melvin. “The Enfield Poltergeist”. PSI Encyclopedia. 2015. Accessed 18th April 2024
  • https://psi-encyclopedia.spr.ac.uk/articles/enfield-poltergeist#Methods_of_Investigation 
  • 10 Most Haunted Places in England | Ghost Hunting Days Out Accessed 29th February 2024

Images:
  • Accessed 5th April 2024. https://deliria.it/blog/wp-content/uploads/2016/07/enfield-janet-hodgson.jpg Free to share and use.
  • Accessed 24th April 2024. https://thetvdb.com/banners/fanart/original/73245-3.jpg Free to share and use.
  • Films:
  • James Wan. The Conjuring 2. USA. Warner Bros. 2016. 
  • Danny Robins, The Battersea Poltergeist. UK. BBC Radio 4. 2022.

TV:
  • Lesley Manning. 1992. Ghostwatch. BBC1
  • Karl Beattie. 2002-2010. Most Haunted. Living TV
  • Ghost Hunters (1953) Pathé https://cutt.ly/kw3hmnQ7 
  • Pathé Probes that Ghost (1957) https://cutt.ly/Uw3hk3J5 
  • Dig that Ghost (1964) Pathé https://cutt.ly/0w3hTuMH ​

Radio:
  • ​Danny Robins. 2022. The Battersea Poltergeist. BBC Radio 4

Appendices:
Appendix 1: Transcription of interview with Hayley Stephens
Appendix 2: Transcription of interview with Paul Gannon
Appendix 3: Transcription of interview with Lloydie James Lloyd
Note: All agreed to have their names used herein. Contact author for appendices.
1 Comment
Eola Ohio link
13/6/2024 05:10:56

Fascinating read! "Ghost Hunting as a Contemporary Folk Tradition: Ghost Hunting Today" brilliantly highlights how ghost hunting has evolved into a modern cultural phenomenon. It's intriguing to see how technology and folklore blend together in today's paranormal investigations, creating a unique fusion of old and new traditions. The way communities come together to explore the unknown and share their findings truly captures the essence of contemporary folklore. This blog offers a fresh perspective on ghost hunting, making it more than just a hobby but a part of our cultural fabric. Thanks for shedding light on this intriguing aspect of modern society!

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    Katy is an improviser, writer, theatre maker and folklorist-in-training.

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